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Splendour, gaiety and the imagination of the nation as a whole are the basic features of the Spanish fiesta. The year's festive highlights turn the public into active participants and passive spectators who are nevertheless aware of being both things at once.
Fiestas, a phenomenon that gives expression to a peculiarly Spanish vitality, take place almost uninterruptedly in different places and at different times of the year, so that the traveller will always find an occasion to witness one of these magical, spectacular happenings that alter the daily routine of Spanish society.

Bullfighting

Bullfighting is certainly one of the best known, although at the same time most polemical Spanish popular customs. This Fiesta could not exist without the Toro Bravo, a species of bull of an archaic race that is only conserved in Spain.
The origins of the Plaza, bullring , probably are not the Roman amphitheaters but the Celt-Iberian temples where those ceremonies were held.
For its fans La Corrida is of course rather an art than a sport, not to speak about the challenge of the man fighting against the beast. It is an archaic tradition that has survived in this country, just as the Toro Bravo has done.



A Corrida starts with the paseillo, with everybody involved in the bullfight entering the ring and presenting themselves to the public. Two Alguacilillos, on horse's back, direct themselves to the presidency and symbolically ask for the keys to the
"puerta de los toriles".
Behind that door there are the bulls.
With the door being opened and the first bull entering the ring the spectacle starts. It consists of three parts, called tercios, being separated by horn-signals. There are three toreros in each Corrida, by the way, and each will have to torear two bulls.
In the first tercio the bullfighter uses the capote, a quite large rag of purple and yellow color. Now enter two picadores, on horse's back and armed with a sort of lance. The second part is la suerte de banderillas. Three banderilleros have to stick a pair of banderillas into the attacking bull's back.
In the final "suerte suprema" the bullfighter uses the muleta,
a small red rag. He has to show his faena, his mastery to dominate the bull, and to establish an artistic symbiosis between man and beast. The Corrida ends with the torero killing the bull by his sword.

Flamenco

Flamenco is without doubt one of Spain's great contributions to the musical art form. While its roots are in the gypsy culture of Andalusia, and the bulk of the important Flamenco artists are still of Gypsy decent, it is receiving more and more international attention.









'True' flamenco is an art form, which can happen spontaneously whenever a group of people gathers, and in which the audience forms an integral part of the performance.




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Website: www.tourspain.es


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